17,019 Royalty-Free Audio Tracks for "Midi Files Of Tone Rows"

5-18ZA pentachord on C

10-1 (chromatic) decachord on C

6-20 hexachord on C

8-13A octachord on C

5-38ZB pentachord on C

8-14A octachord on C

9-1 nonachord on C. Chromatic nonachord.

3-1 trichord on C: [0,1,2]. Chromatic trichord.

5-25A pentachord on C

Power chords in progression create parallel fifths, though the prohibit is not relevant since there is not intention to create independent voices. Created by Hyacinth (talk) 03:21, 29 January 2012 (UTC) using Sibelius 5.

Half time: notice the snare moves to beats 3 of measure one and two (beats 3 & 7) while the hi-hat plays only on the quarter notes. Note also, for example, that the quarter notes 'sound like' eighth notes in one giant measure.

5-32A pentachord on C

Alexander Scriabin: opus 42.05

Major triad on F in root position. Created by Hyacinth (talk) using Sibelius 5.

6-16B hexachord on C

7-32A heptachord on C

8-19A octachord on C

4-6A tetrachord on C

5-7B pentachord on C

interval unison melodic

4-23 (quartal) tetrachord on C

7-10A heptachord on C

*Diminished fifth on C = G♭. Equal-tempered: 26/12:1 = 600 cents. MIDI pitch bend: none

7-23A heptachord on C

Klangbeispiel eines langen Vorschlags (musikalische Verzierung); Instument: Piano

The most basic ride pattern in rock and other styles.

Post-punk drum pattern.

Rockers variant of the one drop rhythm, sixteenth-note one-drop pattern with bass drum on all eighths.

Reggae one drop drum pattern, sixteenth note variation.

Synthesized MIDI rendering of chanson "Belle bonne sage" by Baude Cordier, early 15th century, after manuscript File:CordierColor.jpg

Four measure ii-V-I progression in C with Coltrane substitution.

D-beat drum pattern 1.

A MIDI file of "Offertorium de Sanctissimo Sacramento," by Leopold Mozart.

The 'D-Beat' in musical notation.

D-beat drum pattern 3.

Characteristic rock drum pattern with rimshot in place of snare

D-beat drum pattern 2a.

Wagner - Tannhauser, Zu dir wall'ich.

D-beat drum pattern 2b.

Mozambique primary bell pattern above a rumba clave. A two bell pattern played on the body and rim of a single mambo bell or high and low bongo or cha-cha bells.

Frédéric Chopin's Fantaisie-Impromptu in C-sharp minor, Opus posthumous 66

Common-tone diminished seventh chord (♯vio42, in D major: b♯o7) in Tchaikovsky's Nutcracker Suite, op. 71a, III, Valse des Fleurs, mm.1-4.

*Square root of 7 on C. √7/1 = 1684.41 cents. MIDI pitch bend: 1,59

*Square root of three on C. √3 = 950.98 cents. MIDI pitch bend: 40,48

*Square root of 5 on C. √5/2 = 193.16 cents. MIDI pitch bend: 103,61

*Octave equivalent square root of 7 on C. √7/2 = 484.41 cents. MIDI pitch bend: 1,59

*Square root of 6 on C. √6 : 2 = 350.98 cents. MIDI pitch bend: 40,48

Square root of 5 on C. √5 : 1 = 1393.16 cents.

*Square root of 6 on C. √6 : 1 = 1550.98 cents. MIDI pitch bend: 40,48

Dominant thirteenth chord in Claude Debussy's Prelude to the Afternoon of a Faun (1894). Created by Hyacinth (talk) 02:50, 5 July 2009 using Sibelius 5.